The theme of the CORD conference is Dance and Global Feminisms, which has brought in a really diverse group of presenters. So I have sat in on sessions about Brazilian samba, the Thriller YouTube video of Filipino prisoners, among others. I have gone to quite a few sessions about pedagogy from the dance perspective. Met some really interesting people. Here is what I have learned so far:
- I think I have found the home for my tango research. There was one whole session today analyzing social dance in larger contexts. Holy crap!
- But at heart, I am still a theatre kid. Attending the jam last night really confirmed that.
- Which puts me in a weird place in my work. I know that that technically my degree would be in "Theater & Dance," but it feels more like a concession or something. The only connection I have really noticed between the two is the ampersand.
- The UCSB theatre theory people have enough separation (and for some, contempt) for theatre practice. I can only imagine trying to force them to talk to dancers.
- In case I wasn't already thinking it, transfer is now a recurring word in my vocabulary. Then again, I don't know where, since a) I am not the same kind of dancer as all the rest of them, b) I do love theatre and c) who's to say it would be any better/worse. There are some really exciting looking programs out there, I just don't know about practicalities and fit.
- There's a lot of tension about the relationship with technology especially in the live/body field of dance.
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